Installation View, Who by Fire, 2025
photographed by Mario Gallucci courtesy of PICA
Portland Institute for Contemporary Art (PICA) presents Who by Fire, an exhibition by the Los Angeles-based artist Ray Anthony Barrett. Rooted in dovetailing practices of artmaking and gastronomy, Barrett’s work often explores themes that emerge through field studies in the landscapes of the American West. For the last five years, his practice has centered critical inquiries into sustainability and future means of existence in a late capitalist society, informed by American legacies of enslavement, genocide, and white settler colonialism.
Through a decolonial lens, Who by Fire returns to fire as one of the most fundamental elements for human survival. The exhibition takes as its starting point the near total estrangement between people and fire in the 21st century, which is closely tied to a broad-scale contemporary disconnection from the natural world. This phenomenon is itself an enduring effect of colonialism and white supremacy in the United States, as Black and Indigenous peoples’ connections to the land have been systematically erased for generations. Using only the most basic tools, Barrett goes deep into the American landscape to engage with fire in a decolonial project of making and maintaining, thinking ahead and looking back for ancestral guidance.
The communal and food-oriented dimensions of fire starting and keeping are a major focus of the exhibition, which features a collaboratively-designed dining area and space dedicated to fire-based cooking. The hearth and table are where people come together to share stories and meals, and to take care of one another. For Barrett, utilizing repurposed and reclaimed materials made through collaboration embodies a holistic philosophy of art that is characteristic to many African, Asian, and Indigenous aesthetic traditions, without hierarchies or divisions between fine art, functional design, or craft, and animated by the art of living, eating, storytelling, spirituality, and dancing.
Installation View, Who by Fire, 2025
photographed by Mario Gallucci courtesy of PICA
Untitled, 2025
charcoal and sumi ink wall drawing, 18 x 9 feet
photographed by Mario Gallucci courtesy of PICA
Untitled (detail), 2025
charcoal and sumi ink wall drawing, 18 x 9 feet
photographed by Mario Gallucci courtesy of PICA
Installation View, Who by Fire, 2025
photographed by Mario Gallucci courtesy of PICA
Installation View, Who by Fire, 2025
photographed by Mario Gallucci courtesy of PICA
Tinder Box, 2025
assorted tinder, fire lighting materials, and tools, 33 x 61 x 30 inches
photographed by Mario Gallucci courtesy of PICA
Tinder Box (detail), 2025
assorted tinder, fire lighting materials, and tools, 33 x 61 x 30 inches
photographed by Mario Gallucci courtesy of PICA
Tinder Box (detail), 2025
assorted tinder, fire lighting materials, and tools, 33 x 61 x 30 inches
photographed by Mario Gallucci courtesy of PICA
Tinder Box (detail), 2025
assorted tinder, fire lighting materials, and tools, 33 x 61 x 30 inches
photographed by Mario Gallucci courtesy of PICA
Installation View, Who by Fire, 2025
photographed by Mario Gallucci courtesy of PICA
Installation View, Who by Fire, 2025
photographed by Mario Gallucci courtesy of PICA
Siberian Fire Lay, 2025
pinewood, 51 x 78 x 108 inches
photographed by Mario Gallucci courtesy of PICA
Installation View, Who by Fire, 2025
photographed by Mario Gallucci courtesy of PICA
Bow Drills, 2025
rope twisting jig, will spindles, sandstone bearing block, failed sandstone bearing block, cedar hearth board, leather cordage, hazelwood, Osage orange, paracord
photographed by Mario Gallucci courtesy of PICA
Bow Drills (detail), 2025
rope twisting jig, will spindles, sandstone bearing block, failed sandstone bearing block, cedar hearth board, leather cordage, hazelwood, Osage orange, paracord
photographed by Mario Gallucci courtesy of PICA
Bow Drills (detail), 2025
rope twisting jig, will spindles, sandstone bearing block, failed sandstone bearing block, cedar hearth board, leather cordage, hazelwood, Osage orange, paracord
photographed by Mario Gallucci courtesy of PICA
Bow Drills (detail), 2025
rope twisting jig, will spindles, sandstone bearing block, failed sandstone bearing block, cedar hearth board, leather cordage, hazelwood, Osage orange, paracord
photographed by Mario Gallucci courtesy of PICA
Bow Drills, 2025
rope twisting jig, will spindles, sandstone bearing block, failed sandstone bearing block, cedar hearth board, leather cordage, hazelwood, Osage orange, paracord
photographed by Mario Gallucci courtesy of PICA
Quiver, 2025
Swedish Torch, hand drill spindles, seasoned willow, cedar hearth board
photographed by Mario Gallucci courtesy of PICA
Installation View, Who by Fire, 2025
photographed by Mario Gallucci courtesy of PICA
Nourssjo, 2025
pinewood, overnight fire lay traditionally built by the Indigenous Sámi peoples of Sweden for survival in extreme cold conditions, 69 x 87 x 19 inches
photographed by Mario Gallucci courtesy of PICA
Installation View, Who by Fire, 2025
photographed by Mario Gallucci courtesy of PICA
Installation View, Who by Fire, 2025
photographed by Mario Gallucci courtesy of PICA
Fledglings, 2025
oak feather sticks, dimensions variable
photographed by Mario Gallucci courtesy of PICA
Fledglings (detail), 2025
oak feather sticks, dimensions variable
photographed by Mario Gallucci courtesy of PICA
Installation View, Who by Fire, 2025
photographed by Mario Gallucci courtesy of PICA
Charred interior of living redwood, 2020
recycled fabric print, 113 x 83 inches
photographed by Mario Gallucci courtesy of PICA
Installation View, Who by Fire, 2025
photographed by Mario Gallucci courtesy of PICA
Votive, 2025
assemblage of wood log, book, cowrie shells, ceramic bowls, votive candle, Palo Santo, tobacco
photographed by Mario Gallucci courtesy of PICA
Votive (detail), 2025
assemblage of wood log, book, cowrie shells, ceramic bowls, votive candle, Palo Santo, tobacco
photographed by Mario Gallucci courtesy of PICA
Have Mercy, 2025
found Japanese Yakitori fan, paper, wood, 14.5 x 9.5 inches
photographed by Mario Gallucci courtesy of PICA
Campfire Cooking System with Pot Hangers, 2025
carved cedar, paracord, 57 x 47 x 41.5 inches
photographed by Mario Gallucci courtesy of PICA
Campfire Cooking System with Pot Hangers (detail), 2025
carved cedar, paracord, 57 x 47 x 41.5 inches
photographed by Mario Gallucci courtesy of PICA
Installation View, Who by Fire, 2025
photographed by Mario Gallucci courtesy of PICA
Dining Area, Ray Anthony Barrett in collaboration with Emily Endo, Erté deGarces, Lynn Everett Read (Vitreluxe), Bridgette Hickey, Alexandria Saleem, Sam Schrott, Aubrey Sloan, Denise Barrett, and MK Guth
Communal Table, pine, yakisugi, shellac, table: 120 x 65 x 28.5 inches, benches: 110 x 11 x 19 inches and 48 x 11 x 19 inches
photographed by Mario Gallucci courtesy of PICA
Dining Area, Ray Anthony Barrett in collaboration with Emily Endo, Erté deGarces, Lynn Everett Read (Vitreluxe), Bridgette Hickey, Alexandria Saleem, Sam Schrott, Aubrey Sloan, Denise Barrett, and MK Guth
Communal Table, pine, yakisugi, shellac, table: 120 x 65 x 28.5 inches, benches: 110 x 11 x 19 inches and 48 x 11 x 19 inches
photographed by Mario Gallucci courtesy of PICA
Dining Area, Ray Anthony Barrett in collaboration with Emily Endo, Erté deGarces, Lynn Everett Read (Vitreluxe), Bridgette Hickey, Alexandria Saleem, Sam Schrott, Aubrey Sloan, Denise Barrett, and MK Guth
Communal Table, pine, yakisugi, shellac, table: 120 x 65 x 28.5 inches, benches: 110 x 11 x 19 inches and 48 x 11 x 19 inches
photographed by Mario Gallucci courtesy of PICA
Communal Table (detail), Ray Anthony Barrett & Erte deGarces
pine, yakisugi, shellac, table: 120 x 65 x 28.5 inches, benches: 110 x 11 x 19 inches and 48 x 11 x 19 inches
photographed by Mario Gallucci courtesy of PICA
Communal Table (detail), Ray Anthony Barrett & Erte deGarces
pine, yakisugi, shellac, table: 120 x 65 x 28.5 inches, benches: 110 x 11 x 19 inches and 48 x 11 x 19 inches
photographed by Mario Gallucci courtesy of PICA
Recycled glassware, Lynn Everett Read (Vitreluxe), 2025
photographed by Mario Gallucci courtesy of PICA
Recycled glassware, Lynn Everett Read (Vitreluxe), 2025
photographed by Mario Gallucci courtesy of PICA
Dining Area (detail), Ray Anthony Barrett in collaboration with Emily Endo, Erté deGarces, Lynn Everett Read (Vitreluxe), Bridgette Hickey, Alexandria Saleem, Sam Schrott, Aubrey Sloan, Denise Barrett, and MK Guth
Communal Table, pine, yakisugi, shellac, table: 120 x 65 x 28.5 inches, benches: 110 x 11 x 19 inches and 48 x 11 x 19 inches
photographed by Mario Gallucci courtesy of PICA
Ceramic dinnerware, Sam Schrott, 2025
locally sourced clay, wood ash glaze
photographed by Mario Gallucci courtesy of PICA
Floral Design, Alexandria Saleem, 2025
recycled porcelain vases, Aubrey Sloan, 2025
photographed by Mario Gallucci courtesy of PICA
Floral Design, Alexandria Saleem, 2025
recycled porcelain vases, Aubrey Sloan, 2025
photographed by Mario Gallucci courtesy of PICA
Indigo dyed shibori linens, Bridgette Hickey, 2025
photographed by Mario Gallucci courtesy of PICA
Rose Briar Chandelier, Emily Endo, 2025
candles, salvaged glass, steel, and zinc, 27 x 23 x 17.25 inches (without candles)
photographed by Mario Gallucci courtesy of PICA
Rose Briar Chandelier, Emily Endo, 2025
candles, salvaged glass, steel, and zinc, 27 x 23 x 17.25 inches (without candles)
photographed by Mario Gallucci courtesy of PICA
Rose Briar Chandelier (detail), Emily Endo, 2025
candles, salvaged glass, steel, and zinc, 27 x 23 x 17.25 inches (without candles)
photographed by Mario Gallucci courtesy of PICA
Rose Briar Chandelier (detail), Emily Endo, 2025
candles, salvaged glass, steel, and zinc, 27 x 23 x 17.25 inches (without candles)
photographed by Mario Gallucci courtesy of PICA
Installation View, Who by Fire, 2025
photographed by Mario Gallucci courtesy of PICA