Installation View, Who by Fire, 2025

photographed by Mario Gallucci courtesy of PICA

Portland Institute for Contemporary Art (PICA) presents Who by Fire, an exhibition by the Los Angeles-based artist Ray Anthony Barrett. Rooted in dovetailing practices of artmaking and gastronomy, Barrett’s work often explores themes that emerge through field studies in the landscapes of the American West. For the last five years, his practice has centered critical inquiries into sustainability and future means of existence in a late capitalist society, informed by American legacies of enslavement, genocide, and white settler colonialism.

Through a decolonial lens, Who by Fire returns to fire as one of the most fundamental elements for human survival. The exhibition takes as its starting point the near total estrangement between people and fire in the 21st century, which is closely tied to a broad-scale contemporary disconnection from the natural world. This phenomenon is itself an enduring effect of colonialism and white supremacy in the United States, as Black and Indigenous peoples’ connections to the land have been systematically erased for generations. Using only the most basic tools, Barrett goes deep into the American landscape to engage with fire in a decolonial project of making and maintaining, thinking ahead and looking back for ancestral guidance.

The communal and food-oriented dimensions of fire starting and keeping are a major focus of the exhibition, which features a collaboratively-designed dining area and space dedicated to fire-based cooking. The hearth and table are where people come together to share stories and meals, and to take care of one another. For Barrett, utilizing repurposed and reclaimed materials made through collaboration embodies a holistic philosophy of art that is characteristic to many African, Asian, and Indigenous aesthetic traditions, without hierarchies or divisions between fine art, functional design, or craft, and animated by the art of living, eating, storytelling, spirituality, and dancing.

Installation View, Who by Fire, 2025

photographed by Mario Gallucci courtesy of PICA

Untitled, 2025

charcoal and sumi ink wall drawing, 18 x 9 feet

photographed by Mario Gallucci courtesy of PICA

Untitled (detail), 2025

charcoal and sumi ink wall drawing, 18 x 9 feet

photographed by Mario Gallucci courtesy of PICA

Installation View, Who by Fire, 2025

photographed by Mario Gallucci courtesy of PICA

Installation View, Who by Fire, 2025

photographed by Mario Gallucci courtesy of PICA

Tinder Box, 2025

assorted tinder, fire lighting materials, and tools, 33 x 61 x 30 inches

photographed by Mario Gallucci courtesy of PICA

Tinder Box (detail), 2025

assorted tinder, fire lighting materials, and tools, 33 x 61 x 30 inches

photographed by Mario Gallucci courtesy of PICA

Tinder Box (detail), 2025

assorted tinder, fire lighting materials, and tools, 33 x 61 x 30 inches

photographed by Mario Gallucci courtesy of PICA

Tinder Box (detail), 2025

assorted tinder, fire lighting materials, and tools, 33 x 61 x 30 inches

photographed by Mario Gallucci courtesy of PICA

Installation View, Who by Fire, 2025

photographed by Mario Gallucci courtesy of PICA

Installation View, Who by Fire, 2025

photographed by Mario Gallucci courtesy of PICA

Siberian Fire Lay, 2025

pinewood, 51 x 78 x 108 inches

photographed by Mario Gallucci courtesy of PICA

Installation View, Who by Fire, 2025

photographed by Mario Gallucci courtesy of PICA

Bow Drills, 2025

rope twisting jig, will spindles, sandstone bearing block, failed sandstone bearing block, cedar hearth board, leather cordage, hazelwood, Osage orange, paracord

photographed by Mario Gallucci courtesy of PICA

Bow Drills (detail), 2025

rope twisting jig, will spindles, sandstone bearing block, failed sandstone bearing block, cedar hearth board, leather cordage, hazelwood, Osage orange, paracord

photographed by Mario Gallucci courtesy of PICA

Bow Drills (detail), 2025

rope twisting jig, will spindles, sandstone bearing block, failed sandstone bearing block, cedar hearth board, leather cordage, hazelwood, Osage orange, paracord

photographed by Mario Gallucci courtesy of PICA

Bow Drills (detail), 2025

rope twisting jig, will spindles, sandstone bearing block, failed sandstone bearing block, cedar hearth board, leather cordage, hazelwood, Osage orange, paracord

photographed by Mario Gallucci courtesy of PICA

Bow Drills, 2025

rope twisting jig, will spindles, sandstone bearing block, failed sandstone bearing block, cedar hearth board, leather cordage, hazelwood, Osage orange, paracord

photographed by Mario Gallucci courtesy of PICA

Quiver, 2025

Swedish Torch, hand drill spindles, seasoned willow, cedar hearth board

photographed by Mario Gallucci courtesy of PICA

Installation View, Who by Fire, 2025

photographed by Mario Gallucci courtesy of PICA

Nourssjo, 2025

pinewood, overnight fire lay traditionally built by the Indigenous Sámi peoples of Sweden for survival in extreme cold conditions, 69 x 87 x 19 inches

photographed by Mario Gallucci courtesy of PICA

Installation View, Who by Fire, 2025

photographed by Mario Gallucci courtesy of PICA

Installation View, Who by Fire, 2025

photographed by Mario Gallucci courtesy of PICA

Fledglings, 2025

oak feather sticks, dimensions variable

photographed by Mario Gallucci courtesy of PICA

Fledglings (detail), 2025

oak feather sticks, dimensions variable

photographed by Mario Gallucci courtesy of PICA

Installation View, Who by Fire, 2025

photographed by Mario Gallucci courtesy of PICA

Charred interior of living redwood, 2020

recycled fabric print, 113 x 83 inches

photographed by Mario Gallucci courtesy of PICA

Installation View, Who by Fire, 2025

photographed by Mario Gallucci courtesy of PICA

Votive, 2025

assemblage of wood log, book, cowrie shells, ceramic bowls, votive candle, Palo Santo, tobacco

photographed by Mario Gallucci courtesy of PICA

Votive (detail), 2025

assemblage of wood log, book, cowrie shells, ceramic bowls, votive candle, Palo Santo, tobacco

photographed by Mario Gallucci courtesy of PICA

Have Mercy, 2025

found Japanese Yakitori fan, paper, wood, 14.5 x 9.5 inches

photographed by Mario Gallucci courtesy of PICA

Campfire Cooking System with Pot Hangers, 2025

carved cedar, paracord, 57 x 47 x 41.5 inches

photographed by Mario Gallucci courtesy of PICA

Campfire Cooking System with Pot Hangers (detail), 2025

carved cedar, paracord, 57 x 47 x 41.5 inches

photographed by Mario Gallucci courtesy of PICA

Installation View, Who by Fire, 2025

photographed by Mario Gallucci courtesy of PICA

Dining Area, Ray Anthony Barrett in collaboration with Emily Endo, Erté deGarces, Lynn Everett Read (Vitreluxe), Bridgette Hickey, Alexandria Saleem, Sam Schrott, Aubrey Sloan, Denise Barrett, and MK Guth

Communal Table, pine, yakisugi, shellac, table: 120 x 65 x 28.5 inches, benches: 110 x 11 x 19 inches and 48 x 11 x 19 inches

photographed by Mario Gallucci courtesy of PICA

Dining Area, Ray Anthony Barrett in collaboration with Emily Endo, Erté deGarces, Lynn Everett Read (Vitreluxe), Bridgette Hickey, Alexandria Saleem, Sam Schrott, Aubrey Sloan, Denise Barrett, and MK Guth

Communal Table, pine, yakisugi, shellac, table: 120 x 65 x 28.5 inches, benches: 110 x 11 x 19 inches and 48 x 11 x 19 inches

photographed by Mario Gallucci courtesy of PICA

Dining Area, Ray Anthony Barrett in collaboration with Emily Endo, Erté deGarces, Lynn Everett Read (Vitreluxe), Bridgette Hickey, Alexandria Saleem, Sam Schrott, Aubrey Sloan, Denise Barrett, and MK Guth

Communal Table, pine, yakisugi, shellac, table: 120 x 65 x 28.5 inches, benches: 110 x 11 x 19 inches and 48 x 11 x 19 inches

photographed by Mario Gallucci courtesy of PICA

Communal Table (detail), Ray Anthony Barrett & Erte deGarces

pine, yakisugi, shellac, table: 120 x 65 x 28.5 inches, benches: 110 x 11 x 19 inches and 48 x 11 x 19 inches

photographed by Mario Gallucci courtesy of PICA

Communal Table (detail), Ray Anthony Barrett & Erte deGarces

pine, yakisugi, shellac, table: 120 x 65 x 28.5 inches, benches: 110 x 11 x 19 inches and 48 x 11 x 19 inches

photographed by Mario Gallucci courtesy of PICA

Recycled glassware, Lynn Everett Read (Vitreluxe), 2025

photographed by Mario Gallucci courtesy of PICA

Recycled glassware, Lynn Everett Read (Vitreluxe), 2025

photographed by Mario Gallucci courtesy of PICA

Dining Area (detail), Ray Anthony Barrett in collaboration with Emily Endo, Erté deGarces, Lynn Everett Read (Vitreluxe), Bridgette Hickey, Alexandria Saleem, Sam Schrott, Aubrey Sloan, Denise Barrett, and MK Guth

Communal Table, pine, yakisugi, shellac, table: 120 x 65 x 28.5 inches, benches: 110 x 11 x 19 inches and 48 x 11 x 19 inches

photographed by Mario Gallucci courtesy of PICA

Ceramic dinnerware, Sam Schrott, 2025

locally sourced clay, wood ash glaze

photographed by Mario Gallucci courtesy of PICA

Floral Design, Alexandria Saleem, 2025

recycled porcelain vases, Aubrey Sloan, 2025

photographed by Mario Gallucci courtesy of PICA

Floral Design, Alexandria Saleem, 2025

recycled porcelain vases, Aubrey Sloan, 2025

photographed by Mario Gallucci courtesy of PICA

Indigo dyed shibori linens, Bridgette Hickey, 2025

photographed by Mario Gallucci courtesy of PICA

Rose Briar Chandelier, Emily Endo, 2025

candles, salvaged glass, steel, and zinc, 27 x 23 x 17.25 inches (without candles)

photographed by Mario Gallucci courtesy of PICA

Rose Briar Chandelier, Emily Endo, 2025

candles, salvaged glass, steel, and zinc, 27 x 23 x 17.25 inches (without candles)

photographed by Mario Gallucci courtesy of PICA

Rose Briar Chandelier (detail), Emily Endo, 2025

candles, salvaged glass, steel, and zinc, 27 x 23 x 17.25 inches (without candles)

photographed by Mario Gallucci courtesy of PICA

Rose Briar Chandelier (detail), Emily Endo, 2025

candles, salvaged glass, steel, and zinc, 27 x 23 x 17.25 inches (without candles)

photographed by Mario Gallucci courtesy of PICA

Installation View, Who by Fire, 2025

photographed by Mario Gallucci courtesy of PICA